Avett Brothers to perform in Salina on the Fourth

The Avett Brothers have been on quite a musical journey of evolving their sound over the past decade, going from a trio playing acoustic guitar, banjo and stand-up bass to what is now a seven-member lineup that can build considerably on the group’s scrappy acoustic beginnings.

The band will perform in Salina on the 4th of July.

The group’s big shift in musical style came with the 2009 album “I and Love and You.” Produced by Rick Rubin, it found the Avett Brothers retaining their acoustic foundation, but broadened their instrumental and stylistic reach to the point that the group could no longer be considered simply folk nor acoustic.

The next two albums, 2012’s “The Carpenter” and 2014’s “Magpie and the Dandelion,” continued down that path. And now, Seth Avett, who started the group with his older brother, Scott, in 2000, feels the latest Avett Brothers album, “True Sadness,” represents another leap forward for the group.

“This one’s a major one in terms of me reframing what I think the Avett Brothers sound like,” Avett said of “True Sadness” in a recent phone interview. “I hope, what I feel like is happening is we are opening ourselves up further, further and further in the aesthetics, to have no boundaries while hopefully staying heavily rooted in what makes us us, which is by and large some version of storytelling, I think.”

“True Sadness,” which was released a year ago, is the most sonically adventurous, most instrumentally diverse – and arguably the most stylistically varied – album yet from the group. Recorded with the current seven-member touring band (bassist/fiddle player Bob Crawford, drummer Mike Marsh, keyboardist Paul Defiglia, cellist Joe Kwon and fiddle player Tania Elizabeth), the songs touch on a myriad of styles.

There’s stomping pop delivered with bass, drum and a ragged choir on the first single, “Ain’t No Man.” “You Are Mine” takes jangly folk-rock and gives it a jolt with a big, fuzzed up bass line and sprinkles of keyboard. “Fisher Road” is a gentle and pretty finger-picked acoustic ballad. “There Is a Sea” sounds like it was written for an epic Western or sea-faring movie soundtrack with its lush, swelling strings and expansive melody.

Even with that variety, “True Sadness” sounds very much like an Avett Brothers album, mainly because many of the songs (“Roof Over My Past,” “Mama,” “Smithsonian” and “No Hard Feelings”) still have the acoustic folk and rough-hewn rock foundation that defined the early music of the group. Avett agreed with that assessment.

“You can’t change your beginning. You can’t go back and change where you’re from. It just is what it is,” he said. “Our skeleton is the acoustic guitar (played by Seth Avett) and the banjo (Scott Avett) and the stand-up bass (Crawford, who joined the Avetts in 2002), and our stories and our romanticism and me and Scott’s voices. That’s what we are at our core. So I think as long as we don’t disgrace that or completely turn our backs on that, I think it will come through.”

The two Avett brothers remained the songwriters on “True Sadness,” but Avett said the other band members, more than ever, brought their influences and ideas to the table and had a big hand in how the songs grew from their bare-bones beginnings to the versions heard on the album. For the most part, he said, the songs developed organically as the other musicians got involved.

“We have, I think, a very good, very natural sort of rhythm within our communication where Scott and I are able to present our visions for a song,” Avett said. “You just have faith in the players and you don’t have to micro-manage everything … I think we all have enough experience where we can come to a great agreement, normally without saying anything at all.”

This story was originally published June 28, 2017 at 7:26 PM with the headline "Avett Brothers to perform in Salina on the Fourth."