Eli Wallach, a veteran stage, screen and television actor who was closely identified with Tennessee Williams’ plays on the New York stage but gained fame in Hollywood for a string of films in which he specialized in playing bandits, thieves, mafia dons and other criminals, has died. He was 98.
As much as we’d like to think our favorite movie stars are indestructible, they’re just not. Case in point: Harrison Ford.
Like the ageless tunes littering its soundtrack, “Jersey Boys” is familiar and satisfying, if somewhat slight.
If you thought making a film in 24 hours was challenging enough, the organizers of Down to the Wire are about to make things even a little more interesting.
There’s almost no dragon training in “How to Train Your Dragon 2.”
With movies, sometimes the most important movements are the hardest to notice, because they seem only natural, just part of the cultural air. It took outsiders – French film critics – to take note of film noir and to recognize Howard Hawks and Alfred Hitchcock as great directors. If something big is going on right now that we’re taking for granted, it’s comedy. We get a good one every few weeks, and the latest, “22 Jump Street,” is better than most.
Shailene Woodley, who can do no acting wrong, brings a welcome reality to “The Fault in Our Stars,” a perfectly serviceable teen date picture that teenage girls will have to bribe teenage boys to sit through.
Elle Fanning’s growing up.
Period dramas tend to be stuffy, as suffocated as the corsets the ladies wear.
Foodies will absolutely love “Chef,” the amiable comedy/drama/road trip film from writer-director and star Jon Favreau. The food shown in the movie looks absolutely scrumptious, and the sound of it cooking and sizzling will undoubtedly make you hungry.
The new Godzilla reboot perfectly illustrates the problem that has long haunted mediocre monster movies. When the big, scaly guys are on screen, its a fun thrill ride. But when the humans are at the center of the action, things get scary and not in a good way.
“Million Dollar Arm” is a baseball movie that pulls off a smooth triple play. It’s a character-based comedy-drama that’s also a smart film about the business of sports. As if it weren’t difficult enough to work that double angle, there’s also an exotic international focus on immigrant players struggling with social disorientation and homesickness, an underreported aspect of the game that has caused many a gifted recruit to fail. And, by the way, it’s all based on a true story.
In the gentle comedy “Fading Gigolo,” Fioravante (John Turturro) is not a pretty man. He readily admits this.
Oscar winner Colin Firth (“The King’s Speech”) turns in another beautiful performance in “The Railway Man,” based on the real-life autobiography by Eric Lomax.
“Neighbors” is an “Animal House” for a “Hangover” generation. Lewd. Crude. And yes, at times, nude.
For years, the rumor about Johnny Depp was that he wouldn’t take a role that required him to get a haircut. “Chocolat,” “Pirates of the Caribbean,” “Once Upon a Time in Mexico,” “Sleepy Hollow” – mop-topped coincidences, or a career vanity?
For the past several years, Disneynature has marked Earth Day by releasing a documentary celebrating Mother Nature. “Bears” is the studio’s latest nature doc with a twist. It’s more reality show than peer-reviewed research, and like any reality show, the creators have endowed their subjects with moxie, personality and drama.
Wichita has been the setting for many Westerns, but none like Nicholas Barton’s “Wichita.”
Big, beatific and (more or less) biblical, Darren Aronofsky’s “Noah” is a mad vision of a movie, an action/adventure take on The Flood that cleansed the Earth.
Mr. Hublot tripped her up.