Brit comic Ricky Gervais stakes a serious claim to the title “the British Albert Brooks” with “The Invention of Lying,” his droll, witty and thoughtful comedy about the thing that really makes the world go round.
On an Earth in which “the human race has never evolved the ability to tell a lie,” Gervais plays the guy who discovers fibs, fiction, exaggerations, little white lies, whoppers to get what you want and the biggest lie of all. And that discovery may (or may not) change the world and make it a better place.
As Mark, he’s a screenwriter on this alternate Earth. He’s failing at the simple task of turning history (there is no fiction) into something a reader can recite to an audience on TV or in theaters. There are no actors. Pretending to be someone you’re not would be a lie, wouldn’t it?
Mark’s a “loser,” as his secretary (Tina Fey) can’t help but blurt out and his fellow dapper writer (Rob Lowe) loves saying to one and all.
And that doesn’t escape the notice of his beautiful but shallow blind date, Anna (Jennifer Garner, radiant). Things get off to a swinging start when she admits “I’m not really looking forward to tonight in general.” She judges him by his appearance and financial state, spilling the beans about what (some) women really want.
Mark is pretty downtrodden until that day — 20 minutes into the film — when he figures out he can tell the bank clerk he has more money coming to him than his account balance suggests. The floodgates open, and suddenly he can lie his way back into the screenwriting job he just lost, can fake his way to confidence, wealth and success, and even find ways to convince his loner neighbor (Jonah Hill, playing it clean for once) that he’s not a lumpy loser who should kill himself.
This might have been a 10-minute sketch stretched out to movie length. But then the movie gets to the biggest “lie” of all, religion. “The Invention of Lying” morphs into a different movie, a high-minded comedy, intellectual, even.
The characters explore just what that one lie can do to help the human race, or limit it.
“Lying” is funny rather than hilarious, thought-provoking rather than prat-falling. Like the first Gervais film comedy, “Ghost Town,” it takes a thin concept and hurls the acrid, sarcastic and slow-burning Gervais at it until the humor gives way to a measure of understanding and sweetness we’d never expect.
The honest truth? This “Invention” is worth seeing more for the discussion on the ride home than the many laughs.