Richard Ford upstages his main character in a way that a writer like Balzac or Bellow never did.
Richard Ford upstages his main character in a way that a writer like Balzac or Bellow never did. Courtesy photo
Richard Ford upstages his main character in a way that a writer like Balzac or Bellow never did. Courtesy photo

Richard Ford’s latest rendition of Frank Bascombe’s exploits emotionally, ethically hollow

January 25, 2015 07:56 AM

UPDATED January 25, 2015 08:42 AM

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