Doug Reed unveiled his refurbished Olds custom at the recent Lead Sled Spectacular in Salina. He has owned and driven the fastback for more than 40 years now.
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The distinctive '49 Olds front end is enhanced with deep forest-green scallops; pinstriping details were added by Rocky Burris Jr. Note the vintage "Fundamentals" car club tag; Reed was among the first to join that group.
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Wide whitewalls, '53 Olds Fiesta hubcaps and just a ring of red steel wheel showing make for the perfect period wheel treatment.
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The interior of the Olds is as intriguing as the outside. Corey Conyers restored both the steering wheel and the Hydra-Matic shift lever, while Chad Ward applied the striping detail. The tuck and roll interior, this time around, was done by Roger Maunz in contrasting white and dark green vinyl.
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The 1949 Olds was at the forefront of the overhead valve V-8 revolution, but Reed upped the ante by installing this 371 cubic inch J-2 Olds engine, bored .60" over and equipped with a full race cam, milled heads and three Rochester 2-barrel carbs.
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Although the six rows of louvers punched by Dave Stuckey add to the overall custom vibe of the Olds, they are functional, too. Reed says the '57 vintage J-2 Olds V-8 produces plenty of heat and the added ventilation is needed.
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A mild custom from the 1960s wouldn't be complete without a frenched-in antenna somewhere. The left front fender was the logical spot of choice for the smoothly tunneled aerial.
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The rear view of "The Toad" helps explain how the car got its nickname. Reed says that with the green color and the slope of the fastback, the car resembled a toad sitting on a lily pad.
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Doug Reed's faithful 1949 Oldsmobile fastback has served him well for four decades. The green two-door mild custom known as "The Toad" recently underwent a complete freshening up, but kept its eye-catching color scheme and the scallops designed by the late Elden Titus. Mike Schoech of Auto Artistry in Russell was in charge of the overall restoration.
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Both the front and rear seats are stock items, reupholstered by Roger Maunz in the correct mid-'60s custom look.
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